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Sand Land Review
Sand Land is unexpectedly experiencing a resurgence following the untimely passing of its creator, Akira Toriyama (renowned for Dragon Ball). This renewed attention coincides with adaptations to film, anime, and video games, with the latter being my introduction to this world. The game immerses players in a universe reminiscent of Toriyama’s iconic style, offering a fresh narrative within a familiar aesthetic. While aspects like animation and performances vary in quality, Sand Land provides the immersive experience typical of successful adaptations.
Functioning as both a retelling and a sequel to the 2000 manga, the Sand Land video game serves as an ideal entry point for newcomers. However, the transition between old and new narrative elements can be jarring, despite the overall engaging plot. Character depth is lacking, with most personalities being established from the outset. Nevertheless, characters like Rao stand out for their complexity and acceptance of others.
As Beelzebub, players embark on a mission to restore water to a parched world, exploring vast open environments with a fleet of vehicles at their disposal. While vehicle swapping is seamless, frequent encounters necessitate constant transitions, occasionally disrupting gameplay flow. Combat, focused on utilizing various vehicles, offers a satisfying blend of third-person shooter mechanics and strategic maneuvering. Upgrading vehicles and developing the town of Spino through sidequests adds depth to the gameplay experience.
Despite its shortcomings and occasional frustrations, Sand Land maintains its charm throughout its roughly 20-hour runtime. Toriyama’s signature humor permeates the adventure, with Beelzebub’s motivations adding levity to the narrative. While not without flaws, spending time in Sand Land proves enjoyable, with the progression of the garage and exploration beyond its borders enhancing the overall experience.
